Soul Jazz. Not what one bumps into regularly, in conversations or concerts. Jazz for the soul? Of the soul? From the soul? All the above?
But then jazz IS all the above. All jazz (except, maybe, some). So where does Soul Jazz fit in?
My experience with this form of jazz of music happened like it would for most - through some stellar pieces. Mine was while listening to Mingus, on "Ah um", and getting hit hard by "Better Git It In Your Soul". If you've heard the album, its breath-taking, with old Charlie at his best (The definitive Penguin Guide to Jazz on CD calls this album "an extended tribute to ancestors", and the album was one of fifty recordings chosen by the Library of Congress to be added to the National Recording Registry in 2003. My favorite, as mentioned in an earlier post, is "Fables of Faubus", but "Better" always intrigued me. It is a very different composition, loud, in-your-face, and the super-charged gospel shouts, Horace Parlan's soaring piano riffs, Jimmy Knepper's gutsy trombone, and Mingus' masterly bass... The composition was also unique, in my opinion, because of the various influences one could discern - beyond the hard bop structure, the bluesy, gospel-y sound was unmistakable...
Here's an excellent piece on Soul Jazz, exploring the nature and form of the beautiful beast. Jazz is often mistaken as without soul, and Dan Bilawsky explains exactly why that is a huge mistake...
Enjoy...will follow this up with my own take on the venerable Hammond Organ, which formed the back-bone of this genre...
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